Culture on Target
Bi-component ink and screen printing on tambourine.
30.2 x 30.2 x 5.2 cm (each)
Ed. 16 + 2PA
2026
Edition produced in collaboration with Carbono Gallery, São Paulo
Cornerstone I (Fundamental Milestones)
Stones, vault rotors (metal part), epoxy resin
24 x 51 x 35 cm
2025
Installation views at After the Silence duo show
Orlando, São Paulo
On the Impossibility of Social Balance (Speculative Spaces)
Wood, laser engraved text, silicone rubber, stainless steel and metal parts
160 x 120 x 5 cm (aprox.)
2025
Installation views at After the Silence duo show
Orlando, São Paulo
New air is not always good air
Museum showcase made of glass and aluminum, autonomous air conditioning system and microclimatic control
185 x 100 x 125 cm
2024
Installation views at Uncertain Heritage solo show
Capela do Morumbi, City Museum of São Paulo
Embargo
Iron chain, manual chain hoist, safety hooks, metal washers and clips, natural fiber rope (jute)
Variable dimensions
2024
Installation views at Uncertain Heritage solo show
Capela do Morumbi, City Museum of São Paulo
Future Expectations I
Roasted coffee beans, pebbles, coins, cowrie shells, dentures.
Variable dimensions.
2024
Installation views at Uncertain Heritage solo show
Capela do Morumbi, City Museum of São Paulo
Natrural Capital
Black earth, irrigation system and seeds of agricultural, organic, pioneer, ornamental and original plants. Collaboration and supervision Ana Kamitusji.
63,9 m2
2024
Installation views at Uncertain Heritage solo show
Capela do Morumbi, City Museum of São Paulo
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Lorem Ipsum / Objects Never Die
Curatorial project
2024
Installation views at C.A.M.A Project and Verniz Design shop, São Paulo
Poison and Value (a Silent Catastrophe)
Insect trap, plastic parts, electric cables, aluminum, led lights, steel cable, sound track
Variable dimensions
2021
Installation views at I kept Having these Dreams duo show
Dresden Kunstverein
Tomorrow I will Remember Nothing
Solo show
2019
Installation views at Luisa Strina Gallery, São Paulo
Conservative Punitive Abstract Schemes (series)
Laser-cut acrylic and rotogravure by Di Cavalcanti
40 x 50 x 4 cm
2018
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
Anhanguera/Bandeirantes
Chemogravure in bas relief, brass and automotive paint
64 x 57 cm
2015
Collection of MAC Paraná
Acculturation is (not) Integration series
Ceramic vase, graphic interventions (gouache) and concrete
125 cm x 55 cm d.
2015
Installation view at Colonial Enterprise group show. Caixa Cultural, São Paulo
Collection of MAC Paraná
Contract of Risk
Solo show
2015
Installation views at Luisa Strina Gallery, São Paulo
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Contract of Risk (the Worker, Politician, Intelectual and Revolutionaire)
Oxidized iron cast, silicon ruber, aluminum, wood, varnish
119,5 x 50 x 42,5 cm
2009-2015
Installation views at Contract of Risk solo show
Luisa Strina Gallery, São Paulo
Basta de la Ayuda, Hablemos de Repraciones
Solo show
2016
Installation views at Prometeo Gallery, Milano
Framings
Printed matter, inkjet print on paper, cutout passpartout, plexiglas box. 11 works, each 93 x 67 x 4 cm.
2016
Exhibited at Basta de la Ayuda, Hablemos de Repraciones
solo show at Prometeo Gallery, Milano
Afastando el Pueblo, Fantasmas de la Riqueza
Vídeo full HD, color, sound
21min
2016
Developed during Lugar a Dudas Residency.
Exhibited at Basta de la Ayuda, Hablemos de Repraciones solo show at Prometeo Gallery, Milano
The End of Beauty (I)
Cement, metal structure, electrostatic paint and chemical patinas
221 x 200 x 215 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
FAMA Collection
Sugar in the Veins (Sugar Blues) series
Wall sets of burnt drawings made of sugar, tea and coffee on tracing paper
29.5 x 41 cm (each)
2017
Produced during Gasworks Residency, London
Shock
carbon steel, plywood, metal structure, sergeants
141 x 67 x 40 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
48% = 1% [yellow green]
Tempera and acrylic on fabric on plywood
47.2 x 62.8 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
Tomorrow I will Remember Nothing
Bronze cast and silver nitrate patina
30 x 50 x 1 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
Brazil has a Huge Past Ahead
Bronze cast and silver nitrate patina
34 x 39 x 1 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
OSPB
Wood, concrete, rope and books
122 x 80 x 52 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
The Dispute over the Signs
Oxidized cast iron
43 x 40 x 14 cm
2019
Installation views at Tomorrow I will Remember Nothing solo show
Luisa Strina Gallery, São Paulo
Transition Object (from Mechanical to Electronic)
Metal frame, automotive paint, Olivetti typewriter (letter 85 with swapped keys), and machined granite base. 1.42 x 0.5 m (diameter)
2015
Installation views at Foundations of Design Substance: Cultural Metaphors for Designing a New Future solo show. Oca Ibirapuera / City Museum of São Paulo. Produced with support from the Graham Foundation and City Museum of São Paulo.
The End of Work
Video Installation in 3 channels
HD video, sound, color
20'30″
2019
Commissioned by Beyond Archive project
CareOf, Milan
Foundations of Design Substance:
Cultural Metaphors for Designing a New Future
Solo show
2015
Installation views OCA Ibirapuera
City Museum of São Paulo
Operational structure for a conceptual field: Centro direzzionale (diagram transformed into structure)
Metal structure, CNC-engraved MDF sheets (low relief), automotive paint, sandblasted tempered glass, and carved granite
12 m2 (three modules measuring 2.05 x 2.4 x 0.05 m each)
2015
Installation views at Foundations of Design Substance: Cultural Metaphors for Designing a New Future solo show. Oca Ibirapuera / City Museum of São Paulo. Produced with support from the Graham Foundation and Mercosul Biennial.
Projections (Plans in Progression) series
Technical instruments, tools, gauges, kapok plywood, BR Petrobras Gray enamel, oil paint
Diverse dimensions
2015
Installation views at Contract of Risk solo show
Luisa Strina Gallery, São Paulo
From Abstract Orders to Material Progress II
Cinder blocks, fabric flag, oil paint, bitumem, copper, wood, stainless steel, cotton cord. Brass plaque engraved in bass relief with automotive painting
Sculpture 42 x 100 x 235 cm
Brass plaque 60 x 80 cm
2010-2013
Phantom Matrix (Old Structures, New Glories)
Sugar cane wooden mill, electric motor, old metal parts, sound system
900 x 600 cm
2016
Installation view at SITU Project
Leme Gallery, São Paulo
FAMA Collection
Remediations
Video, TV, DVD player, furniture, ceramic and concrete blocks, plexiglass, plywood, printed matter, paint over inkjet prints
28 m2
2010-2014
Installation view Temporada de Projetos
Paço das Artes São Paulo
Functional Park
Solo show and public intervention
2015
Installation views at Funarte Marquise
Brasília, Brasil
Soil Laboratories
Socially engaged project with agro-communities to establish DIY workshops to produce functional artifacts with soil and derivatives
2023
Activities at Vergel MST settlement. Pilot phase enabled by the support of Museum is the World Prize
Anti Ego Device
Movement sensor, electric motor, plexiglass, metal parts, wires
58 cm diam.
2006-2017
It's all Allegory
Chemo-engraving in bas relief, brass, black automotive paint
56 x 64 x 3 cm
2015
Installation views at Contract of Risk solo show
Luisa Strina Gallery, São Paulo
Dirty Abstractions series
Screen printing on fabric, MDF, concrete relief
concrete slab 62 x 62 x 6 cm
screen printing 56 x 38 cm
2015
Installation views at Contract of Risk solo show
Luisa Strina Gallery, São Paulo
Precarious forms in an unstable arrangement
(the Reverse of Symbols: Value / Time / Representation)
Carbon steel, kapok plywood, silicone rubber, automotive paint, 20 cruise coin cents (1977)
87.5 x 80 x 70 cm
2015
Installation views at Contract of Risk solo show
Luisa Strina Gallery, São Paulo
Reaches and Limits (from Abstract Orders
to Territorial Exploration)
Laser-cut stainless steel, rusty iron, aluminum, electrostatic painting, wood (partially burned), brass plate engraved inbas relief, automotive paint
Brass plate 60×80 cm
Sculpture 117 x 120x 90 cm
2015
Installation views at Contract of Risk solo show
Luisa Strina Gallery, São Paulo
Peace in the Jungle (Dark Matter series)
Oil painting intervention on paper – map and pages from old magazines
87,5 x 173 cm
2013 - 2015
El Museo Impossible de las Cosas Vivas - Departamento de Integración Pan Continental (area de contacto triangular)
Security light, rocks, fabric, metal, glass, plastic, brass, ink jet photo print, wood, cotton strings
Variable dimensions
2014
Installation view at PARC Art Fair. Lima, Peru
Collection of MAC Paraná
Al Pueblo Peruano
Photocopy of a supposedly hand written letter of the daughter of a former president distributed in Lima door to door, glass, wood, popular national flag.
128x72x6,5 cm
2014
Integrates the project El Museo Impossible de las Cosas Vivas - Departamento de Integración Pan Continental (area de contacto triangular)
Installation view at PARC Art Fair. Lima, Peru
Collection of MAC Paraná
Brasilia Broadcast II
Wooden flagpole, sound archive, loudspeaker, mp3 player, electric power, steel wire, metal structure, bricks, stones and tools
Variable dimensions
2006-2015
Installation view at the 37th Panorama of Brazilian Art
Museu de Arte Moderna - MAM, São Paulo
Tripartite Reunited
Die-cast aluminum, acrylic plate, rubber tubular frame, automotive paint, resin, printed graphic image mounted on methacrylate
Sculpture 94 x 63 x 57 cm
Wooden base 60 x 60 x 90 cm
Methacrylate 80 x 80 cm
2009-2013
Installation view 33rd Panorama of Brazilian Art
Museu de Arte Moderna - MAM, São Paulo
The Promise of a New Transparency, between the Interior and the Exterior – Facade transformed into a Timeline (after the ICO IVREA factory facade – 1939)
Metal profile structures, automotive paint, galvanized steel tiles (trapezoidal), acrylic plates and UV printing. 4 panels with a total measurement of 2.75 x 9 linear meters
2015
Installation views at Foundations of Design Substance: Cultural Metaphors for Designing a New Future solo show. Oca Ibirapuera / City Museum of São Paulo. Produced with support from the Graham Foundation and City Museum of São Paulo.
Design, art, and industry (display referencing the Spazio work table, designed by the BBPR studio for Olivetti, 1959)
Metal structure, LED, wood, glass, and historical printed material
(folder from the Olivetti exhibition at MOMA NY, 1952)
160 x 100 x 216 m
2015
Installation views at Foundations of Design Substance: Cultural Metaphors for Designing a New Future solo show. Oca Ibirapuera / City Museum of São Paulo. Produced with support from the Graham Foundation and City Museum of São Paulo.
Foundations of Design Substance:
Cultural Metaphors for Designing a New Future
Solo show
2015
Installation views OCA Ibirapuera
City Museum of São Paulo
The Life of the Centers
Photobook 152 p. Color / B&W, ISBN 9788562114229
Inkjet print mounted on dibond, wall installation with 42 photo-text pieces (book spreads).
180 x 900 cm
2011-2013
Installation view at Paço Imperial, Rio de Janeiro
IPHAN Collection
No fear of the raw (or), how to reverse one’s own gaze. Performed notes on the phantoms of wealth
Lecture performance
2018
Presented at Live Works / Supercontinent performance award Centrale FIES. Dro, Italy
IPO (Aesthetic Unity, Economic Distribution)
Mural painting composed of geometric-abstract pattern based on the Petrobras BR oil distributer logo
Variable dimensions
2017
Installation view 37th Panorama of Brazilian Art
Museu de Arte Moderna de São Paulo